The Hunger Games
The twisted government, the youth-violence-as-entertainment, the love match that takes on all odds - I enjoyed the hell out of Battle Royale. Oh wait, shit, I'm supposed to be talking about Hunger Games.
Seriously. People kept suggesting this book to me, knowing my tastes and reading habits. And it's not like they were wrong - it's a fun read. But Collins was dipping water from a well I've bathed in many times before. Again, maybe I just need to stay away from young adult novels for a while. I would have loved this at 13. I was always running around making weapons out of random stuff anyway, so I probably would have adopted chunks of the plot into my make-believe life. At this age, though, the way the author just passed right over certain plot holes and unlikely moments that should have been dealt with better bugged the crap out of me.
I liked the set up, the idea of the games as retaliation against formerly rebellious colonies. Of course, forcing parents to sacrifice their own children over and over is pretty much a textbook example of how to breed further revolution, but okay. Powerful governments have done stupider things. And that bit all smacked just a little too heavily of Jackson's "Lottery". I liked them prepping for the games, except that it all had much the same flavor as the pre-run parts of King's Running Man. Of course, I enjoyed the survival game itself, except, well, you know. Battle Royale and so on.
If the sequel turns up at my house, I'll probably read it one afternoon. But honestly, I barely expect to remember much about this one in a few weeks. I do hear that a PG-13, teenybopper movie version is being made. Oh, goody.
Apr 5, 2011
Mar 31, 2011
Snow Crash by Neal Stephenson
Snow Crash
It was the best of dystopias, it was the worst of dystopias. Snow Crash mixes some of my favorite common elements of this sort of cyberpunk romp - sprawling, corporate rule, youth fads, a magic internet, random violence, hero girls - with my least favorites - programmer babble, religious pseudotheory. And it's hard not to just see it as Stephenson's take on William Gibson. I mean, Y.T. might as well be a younger, less modified Molly Millions. The franchise properties, where someone could cross the country by going from parking lot to parking lot, stand in pretty handily for The Sprawl. And so on.
But Neal's got his own ideas, his own take on the whole thing. Granted, he was writing in the 90s and had Gibson to springboard from, but he's enough of an author that I'm not trying to take anything away from him.
So, taking Snow Crash out of that context and on its own, I enjoyed it thoroughly. Except for the hacker blah blah. It's just not my cup of tea. I've never been a gamer, never been a programmer, and could care less about hearing someone talk about fucking around with computers on that level. It just leaves me flat and bored. So, actually, the fact that I dug a novel with so much of that as the main thread does say something positive.
The characters were a good time, even the side guys. The whole thing with the mafia ("You've got a Friend in the Business" - love it) as a legitimate corporation tickled me. It makes sense, of course, that in a situation where money talks and the government has little to no influence, the mob would have the structure and cash flow to be a major power player. In fact, I would love to read more about Uncle Enzo and his crew. Does Stephenson revisit them? And, of course, the Raft. I'd love to read an entire novel set there. Or maybe I have - take out some of the tech elements and you've got The Scar by China Miéville. I wonder how much of an influence this book was on that one.
Now, the religious/cultural parts. Well, hmmm. Sure, it makes sense as written. I'll buy that. It's as good a paperback theory as any I've seen. It didn't exactly knock windows in my skull, but I bet it would have given me plenty to chew on if I'd read it as a younger man.
It was the best of dystopias, it was the worst of dystopias. Snow Crash mixes some of my favorite common elements of this sort of cyberpunk romp - sprawling, corporate rule, youth fads, a magic internet, random violence, hero girls - with my least favorites - programmer babble, religious pseudotheory. And it's hard not to just see it as Stephenson's take on William Gibson. I mean, Y.T. might as well be a younger, less modified Molly Millions. The franchise properties, where someone could cross the country by going from parking lot to parking lot, stand in pretty handily for The Sprawl. And so on.
But Neal's got his own ideas, his own take on the whole thing. Granted, he was writing in the 90s and had Gibson to springboard from, but he's enough of an author that I'm not trying to take anything away from him.
So, taking Snow Crash out of that context and on its own, I enjoyed it thoroughly. Except for the hacker blah blah. It's just not my cup of tea. I've never been a gamer, never been a programmer, and could care less about hearing someone talk about fucking around with computers on that level. It just leaves me flat and bored. So, actually, the fact that I dug a novel with so much of that as the main thread does say something positive.
The characters were a good time, even the side guys. The whole thing with the mafia ("You've got a Friend in the Business" - love it) as a legitimate corporation tickled me. It makes sense, of course, that in a situation where money talks and the government has little to no influence, the mob would have the structure and cash flow to be a major power player. In fact, I would love to read more about Uncle Enzo and his crew. Does Stephenson revisit them? And, of course, the Raft. I'd love to read an entire novel set there. Or maybe I have - take out some of the tech elements and you've got The Scar by China Miéville. I wonder how much of an influence this book was on that one.
Now, the religious/cultural parts. Well, hmmm. Sure, it makes sense as written. I'll buy that. It's as good a paperback theory as any I've seen. It didn't exactly knock windows in my skull, but I bet it would have given me plenty to chew on if I'd read it as a younger man.
Mar 30, 2011
Feed by M.T. Anderson
Feed
I either have to stop reading young adult dystopian novels or else somehow stop judging them by the same standards I use for adult books. Really, only a few rise to meet the challenge - A Wrinkle in Time comes to mind - but quite a few of the rest have their own strengths.
Feed is one of those. Better than most of the rest of the youth fare (if only because there's no perfect hero or last minute win), but not exactly up to the level of some of the more grown up works. I tend to enjoy this sort of corporate rule/your mind is not your own plot. I guess it falls into line with my own fears and suspicions. I have a weird love/hate with commercials and advertising. I like to unpack it, try to work out how an ad is supposed to make us do what the company wants. It's all just propaganda, and I'm fascinated by it. On the other hand, it's easy for me to look at it on a technical level, because I don't make enough money to actually buy anything.
That being said, the idea of all this bullshit - ads, chat, plans, pop culture - running through my mind constantly is, of course, hellish. That's some Harrison Bergeron shit right there. And I'm not just saying that kids should read that story and not bother with Feed (although, if they are going to pick up just one, I bet you can guess the one I would suggest). Anderson does some interesting stuff, both stylistically and storywise. Speech tattoos, for instance, that require you to include one particular word in every sentence - that's the kind of detail I think about afterward.
Okay, I read this at least six months ago, so I'm probably forgetting some of what I wanted to discuss about it. That being said, that I remember so much from this book shows that at least some of it was worth holding onto.
I either have to stop reading young adult dystopian novels or else somehow stop judging them by the same standards I use for adult books. Really, only a few rise to meet the challenge - A Wrinkle in Time comes to mind - but quite a few of the rest have their own strengths.
Feed is one of those. Better than most of the rest of the youth fare (if only because there's no perfect hero or last minute win), but not exactly up to the level of some of the more grown up works. I tend to enjoy this sort of corporate rule/your mind is not your own plot. I guess it falls into line with my own fears and suspicions. I have a weird love/hate with commercials and advertising. I like to unpack it, try to work out how an ad is supposed to make us do what the company wants. It's all just propaganda, and I'm fascinated by it. On the other hand, it's easy for me to look at it on a technical level, because I don't make enough money to actually buy anything.
That being said, the idea of all this bullshit - ads, chat, plans, pop culture - running through my mind constantly is, of course, hellish. That's some Harrison Bergeron shit right there. And I'm not just saying that kids should read that story and not bother with Feed (although, if they are going to pick up just one, I bet you can guess the one I would suggest). Anderson does some interesting stuff, both stylistically and storywise. Speech tattoos, for instance, that require you to include one particular word in every sentence - that's the kind of detail I think about afterward.
Okay, I read this at least six months ago, so I'm probably forgetting some of what I wanted to discuss about it. That being said, that I remember so much from this book shows that at least some of it was worth holding onto.
Marks:
2000s,
commercial control,
mind control,
MT Anderson,
technology,
teenagers,
thought control,
YA
Mar 27, 2011
Dayworld by Philip José Farmer
Dayworld
Well, Farmer tried with this one. I mean, the concept was good. How to divide up the world evenly when you have too many people? When there is not enough land, can we do it by time? And how much would we miss the length of spring or summer if we got the full span of life over time?
Unfortunately, the whole is less than its parts. This whole book came across as very 70s despite having been published in 1985. It had a few pleasant quirks - the idea of fads being different by day and having to navigate that as you crossed from one into the other was fun. But I didn't care much about the mystery or the characters or the final, far too long chase.
I have both the sequels. I'll give the first a try. There was enough that I enjoyed that it deserves a second look, but not enough that I'm holding out much hope.
Well, Farmer tried with this one. I mean, the concept was good. How to divide up the world evenly when you have too many people? When there is not enough land, can we do it by time? And how much would we miss the length of spring or summer if we got the full span of life over time?
Unfortunately, the whole is less than its parts. This whole book came across as very 70s despite having been published in 1985. It had a few pleasant quirks - the idea of fads being different by day and having to navigate that as you crossed from one into the other was fun. But I didn't care much about the mystery or the characters or the final, far too long chase.
I have both the sequels. I'll give the first a try. There was enough that I enjoyed that it deserves a second look, but not enough that I'm holding out much hope.
Marks:
1980s,
freedom,
murder,
mystery,
overpopulation,
Philip José Farmer,
rebellion,
technology,
time
a year off is probably enough
Things are going to shit here in Florida and all around the US due to stupid people managing to get more power than they should be trusted with. Things are going to shit across the globe due to forces both natural and calculated. And Big Brother is definitely watching us!
I find myself drawn back into the dystopian world. Sort of like where I live now, except with the possibly of hope usually shining through somehow in the end.
I find myself drawn back into the dystopian world. Sort of like where I live now, except with the possibly of hope usually shining through somehow in the end.
Oct 14, 2010
watch this space
I've kept up with the reading, if not with the blogging. I think I might redevote myself to this project. Keep an eye here if you're interested.
Mar 15, 2010
Camp Concentration by Thomas M. Disch

Camp Concentration
Even thought it was published in the late 60s, this one felt very old school to me. The journal format, the paranoia specifically of a wartime government, even the "voice" all felt very 1984 or Kallocaine to me. Which worked in its favor. I could excuse some stilted description as a stylistic choice, I feel like, rather than sketchy writing.
But I guess "sketchy" really is the word I want to use here. The characters felt like a sketch (especially the one woman). The science - and I use that term loosely - wasn't given any details. The end seemed a little tacked on, barely fleshed.
That being said, not a bad read. It wasn't meant to be realistic, more of an thought exercise. How much are we willing to give up for intellect? How important is it? Health, taste, skill, life? Do they even attain intellect, or just speed? No answers given, but isn't that true of most dystopian literature?
Marks:
1960s,
adaptations,
alternate history,
drugs,
intellect,
Thomas M. Disch,
war
Feb 18, 2010
Big Brother actually is watching them
In a move worthy of William Gibson's nightmares, the Lower Merion School District (a Philly, PA suburb) is being sued. Why? Because they issued a bunch of laptops to students and didn't tell them that the computers came equipped with webcams that could be covertly activated by the schools' administrators to record what was going on in front of said webcam without the students or parents having the slightest idea. This came to light when they decided to punish a student for "improper behavior in his home", behavior captured by the secret spying.
Makes you wonder who all is watching you sleep, don't it?
Makes you wonder who all is watching you sleep, don't it?
Jan 28, 2010
reading update

Just wanted to say that I finished Camp Concentration a few days ago. I'll be posting a review of it in the next day or two. Now I have a few options on the next book to read.
Which do you think I should open up:
- Feed by M.T. Anderson
- Dayworld by Philip José Farmer
- Memoirs Found in a Bathtub by Stanislaw Lem
Jan 21, 2010

Too Too Abstract Individual Yagharek Not To Be Respected, the Garuda, stands on a rooftop near Perdido Street Station
(I saw this on the always awesome blog, Uncertain Times.)
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