Showing posts with label violent revolution. Show all posts
Showing posts with label violent revolution. Show all posts

Nov 4, 2008

Iron Council by China Miéville

Iron Council

I can't help it, I'm a hopeless Miéville fan. I want to wallow in his prose. The writing is as good as the stories, and the stories are as good as his writing, and the richness of the details and the strength of his vocabulary make it hard to breathe.

Okay, hopeless geeking out of the way, let me talk about this particular novel.

Iron Council is politics all the way down. Of course, they're Bas-Lag poltitics, so we've got Stiltspears being wiped out by the train company and remade anti-heroes rebelling in New Crobuzon. The theme I picked up most was sacrifice - blood, time, youth, life, all spent on various altars. Most not by choice. Or maybe the theme is exactly that, choice, who has it and who is willing to fight for it.

I'm gonna skip around some. I tried to let it stew in my mind before I wrote this out, but it's still just scenes and flashes for me. The idea of a bunch of whores and workers and slaves getting together and just running off with a fucking train made me damn near euphoric. Laying down tracks, rolling across them, and then picking up and putting them down again. A slow, beautiful, hard won flight to freedom. Burying their honored dead on flatcars or under the tracks as they pass. The images leave me speechless.

There are more remade in this one, which makes the idea both more and less frightening to me. More, because of the details that come out ("Am I a prison? Was he alive inside me?"), less because even the worst horrors fade some with repetition.

More homosexuality, too, and the ways that impacts on lives and society. There's a huge gap between the homoerotic but certainly not at all gay, how can you even suggest it world of genre fantasy and the Clive Barker/Neil Gaiman yeah, so what, let's explore how this facet of sexuality and life informs everything else take on various attractions. And Miéville is in that second camp, of course (not the only way I'd lump him in with the other two there, anyway), and I've got no complaints about that. In a society where men fall for bug-headed women, I would think that being gay would be the least of someone's worries.

Of course, the New Quillers hate both. Might as well call them droogs, really, with their bowler hats and bovver boots. Miéville's English, and he knows the image of the well dressed thug, an everyday boogyman.

final thought: Frankly, I could talk about this book for hours, given beer and someone to talk to. The problem is, none of my friends have been willing to wade through his writing or find it as amazing as I do.

Sep 16, 2008

V for Vendetta by Alan Moore (illustrated mostly by David Lloyd)

V for Vendetta

I watched the movie. It was sort of eh to me, mostly because Portman used up all her acting ability back around 1994. That being said, I dug the concept, so when a cool gal offered to loan me her copy of the collected comics, I pounced on it.

Who doesn't love a little chaos and humor in the face of fascism and repression? Who doesn't love the idea of the everyman who manages to evade the cops, slip between shadows, blow up the broken courts, do away with torturers and pedophilic priests? Do I think that bombing the halls of "justice" is a good way to get my voice heard at this time? Of course not - but I haven't got the government peeping in my bedroom every night yet or banning art and music yet or forcing a power-grabbing religion on me. Yet.

I'm drawn to anarchy as a philosophy. Not the punk's AN-AR-KEE!, necessarily (though I've still got a soft spot in my heart for those kids), but the empathetic don't-rule-me-and-I-won't-rule-you train of thought. Too bad I can't imagine it ever working. Get two people agreeing to pull together, you'll have a third bashing them both in the back of the head while they're busy.

In a less general sense, regarding the actual comic - I loved the story, I wasn't wild about the art. But then, it had a very 80s style that seems a little dated now, which pretty well excuses it. As an American, I have no cultural connection to Guy Fawkes or the masks, but I know enough about the whole thing not to be confused by the allusion and I think it worked. I wish now that I owned the collection, because I'd like to read it again in a few months and see if it's deep or shallow.

Oh, and because I am a dork with a head full of quotes and musical bits, I liked catching the meanings, here and there, of the lines that V dropped. Especially stuff like the Anti-Nowhere League. If you want your comic to have a soundtrack, that's the way to do it.

final thought: I'd like to see an English director film it with an English cast some time.