Showing posts with label alternate history. Show all posts
Showing posts with label alternate history. Show all posts

Mar 15, 2010

Camp Concentration by Thomas M. Disch


Camp Concentration

Even thought it was published in the late 60s, this one felt very old school to me. The journal format, the paranoia specifically of a wartime government, even the "voice" all felt very 1984 or Kallocaine to me. Which worked in its favor. I could excuse some stilted description as a stylistic choice, I feel like, rather than sketchy writing.

But I guess "sketchy" really is the word I want to use here. The characters felt like a sketch (especially the one woman). The science - and I use that term loosely - wasn't given any details. The end seemed a little tacked on, barely fleshed.

That being said, not a bad read. It wasn't meant to be realistic, more of an thought exercise. How much are we willing to give up for intellect? How important is it? Health, taste, skill, life? Do they even attain intellect, or just speed? No answers given, but isn't that true of most dystopian literature?

Dec 29, 2009

Marching Through Georgia by S.M. Stirling

Marching Through Georgia

I don't know. I just don't. It was written well. It kept me interested. The battle scenes were some of the best I've read. But a book that has me choose between cheering on Nazis or cheering on slave-owners? Not something that comes naturally, even when it's clear that the rest of the series probably deals with some changes of heart among the main slaver characters.

Here's the deal, I am not a history buff. I have a vague understanding of what led up to various American or world wars, but that's it. So I don't get that same thrill that I would guess regular readers of the stuff enjoy from the cleverness of manipulating facts and possibilities into a plausible situation. For me to enjoy work like this, I need a few facts filled in for me and I need characters and a story worth caring about. I'd say I got all three here.

Mar 4, 2009

The Plot Against America by Philip Roth

The Plot Against America

Again, what is it with publishers putting big swastikas on covers? Hardbound books are already a pain to tote around, and that doesn't make it any easier to quietly read while I'm eating dinner out or something. Oh, well. Anyone who would judge me by the symbols on a book jacket is a fool anyway.

In a weird way, this book reminded me of Middlesex. An interesting story about what it is to be American but still be an outsider due to religion or background, wrapped in a less well fleshed out gimmick. The nazification of America just seemed tacked on, somehow, around the day to day life and trials of a Jewish family in the middle of the last century. I'd rather have more about the kid downstairs and how his life intersects with the narrator's and his brother's. Or about his mother and father, living in their Jewish neighborhood and in the larger world of the city. Or about Alvin slipping into position in the Jewish mafia.

Two major questions sort of popped out at me. For one, has there ever been a time in the USA that a political leader or party would be successful at drumming up the level of overnight, violent, murderous antisemitism Roth portrays? And for another, what about other minorities? Would a leader intent on following Hitler's example not have also turned on the black folks? Asians? (I mean, hell, we put Japanese folks into camps during WW II and we were the "good"" guys - what would we have done as nazis?) Basically, I either wanted this book to be larger in scale or be much smaller.

And then, at the very end, here comes the deus ex machina. Everything's wrapped up in a chapter, no problems, life back to usual, and ain't it grand? Good thing the whole affair was just a German plot, not actual, homegrown evil.

final thought: If you're really into conspiracy theories or alternate histories, sure, give it a read. I'll even loan you my copy. Otherwise, well, there was a good story in there somewhere.

Oct 7, 2008

Terraplane by Jack Womack

Terraplane

I know I'm not doing myself any favors by reading Womack's work out of order, but he writes well enough that I get along regardless. Once again, as I said when I read Elvissey, Womack is that rare author that manages to twist language until it truly does sound evolved but not overly contrived. "Why aren't we knived?" asks the killer Jake at dinner. Nouns into verbs and back again - once you get the flow, it's worth riding.

And once again Womack delves into race and the American history thereof, into corporate ownership (no stretch to think of the Coke company owning and branding their workers), into what happens when you twist just here and here and then see what comes out of the culture. He's sort of the less-techy-obsessed William Gibson.

As a guy fairly obsessed with personal liberty and keeping as much corporate bullshit out of my life as possible, his future seems mighty damn bleak in a very WalMart sort of way. On the other hand, I'm a white man in the '00s, not a black person dealing with the hate and oppression this country's doled out for a couple hundred years. To Norman and Wanda, the idea of almost-equality goes a long way toward making up for other flaws in the Dryco age.

final thought: It's all about loyalty and what that means in the face of ownership, relationships, love, brotherhood, military comradeship, political ties. Who are you loyal to? Do they deserve it?

Mar 26, 2008

Fatherland by Robert Harris

Fatherland

One of those "what if the nazis won" alternate history novels, this is one of the most mainstream-style reads I've picked up yet. The triumphant Germany of the 60s serves as a backdrop to a police thriller/murder mystery. Berlin's been restyled according to nazi tastes and fantasies - giant looming buildings house the SS and other arms of the ever-reaching government. A tour guide, in one bit, consistently describes certain monuments as "20 times larger than the one in France". Everyone from school children to grannies belongs to a uniformed offshoot of The Party. Well, you have to admit - if there is one thing the stiff right arm boys had going, it was a deep understanding of symbolism and how to use it.

So here's my question - could Germany have hidden the slaughter of Europe's Jewish population from the rest of the world? Could 11 million people have gone up in smoke without the general population of, for instance, America knowing? I mean, we, as a society, certainly ignore some atrocities (Darfur), but in this day and age we do know they're going on. In a time before the internet, before fax machines, before automated media, in a tightly controlled situation, could they have pulled it off? Even then, I have my doubts. The vast majority of people will do nothing to stop a great evil, but a secret spread among workers, those who built the camps, those soldiers running the camps and trains, those filing the paperwork, even the camps neighbors seems to me to be a secret unlikely to be kept. What say you?

(I just now realized that HBO did a tv version of Fatherland in 1994, with Rutger Hauer Miranda Richardson. Shit, I'd watch that. I wonder if I can rent it.)

final thought: I wonder how long the nazis will continue to be such an effective boogyman. Will they eventually pass into mythology of a sort, devil figures from a shady past?