The Diamond Age: Or, a Young Lady's Illustrated Primer
Absolutely primo modern speculative fiction. After a few different books that I sort of enjoyed and sort of just felt meh about, this one knocked my socks off. Concepts, delicious. Story, engaging. Philosophical meandering, minimal. Characters, fleshy and companionable.
I guess that just makes sense. Universe-building and character development are the heart of a coming-of-age novel like this. And the concepts employed aren't necessarily unique to this novel. I tasted traces of David Wingrove's Chung Kuo series, a little Dickens, big gobs of William Gibson - you know what I'm saying. And, of course, refined threads from Stephenson's own Snow Crash (which I didn't enjoy half as much as Diamond Age). But all that is just seasoning in a mighty fine soup.
In a world where most of your basic needs are met - one way or the other - what drives a person to succeed? To make something of herself? To rise from a childhood of abuse, neglect, and a mother named Tequila (really? but then, not so different from Brandy) into positions of leadership and fulfillment? Is it hardship? education? a close connection to parental figures? Stephenson takes his time in exploring these questions, and the reader is richer for it.
There was just so much to enjoy here. So many images created. The mouse army, building human rafts. The neo-Victorians, steampunkian in their top hats and watch chains. The Drummers' undersea orgies. Skullguns, smart paper, bodies in the river, actors in a ship. It's not perfect and the tech may or may not age well, but the blend of Idea and Story is right up my alley. I'm loaning this one to a friend, as soon as I run into him, and will probably have to buy myself another copy in a few years when I get an urge to read it again.
Showing posts with label China. Show all posts
Showing posts with label China. Show all posts
May 4, 2011
Jul 28, 2009
Chung Kuo: The Middle Kingdom by David Wingrove
This one was a roller coaster. Not because it was a wild ride that left me excited and exhilarated and ready to jump on another, but because the first half took forever to build up and the second went by fairly quickly. Come to think of it, maybe I should have said, "This one was a steep grind up a tall hill and a quick ride down the other side." So there you go - honesty in review.
I have a hard time remembering names sometimes, both in real life and in literature. Imagine my horror when I cracked this one open to find something like 5 pages of lists of motherfuckin' names, all set out in families, so the reader could have some hope of keeping everyone straight. I almost decided to skip it, but since I own three of the books in the (7 volume) series already, I figured I'd better give it a go. I'm glad I did, but god save me. 704 pages of Li Yuan and Fei Yen and Li Shai Tung? I eventually just let go and stopped trying to remember who was fucking, killing, torturing, bribing, or dominating who.
That's pretty much what happens the whole time, by the way. It sort of reminded me of Perdito Street Station, except that instead of a brilliantly fleshed out world of fantasy and steam punk and politics and blood, I instead found myself wading through some English guy's imagine of what the heavily overpopulated and regimented world would look like if run by a pre-Communism-style China.
Don't get me wrong, I can enjoy a story about imaginative brutality as much as the next (sick minded) guy. Once I stopped stressing about who exactly was who, the book clipped right along for me. I loved the image of the world encased in towering, flowing structures of "ice" (air-light plastics). Some of the characters managed to lift off the page eventually (although most stayed as flat and stylized as the characters of China's written language), even if most of their actions involved either being stomped on or stomping on someone else. I guess I just felt like, if I'm going to wade through that much necessary world building, I want more back in return.
final thought: After I cleanse my palate with a half dozen other sorts of dystopias, I'll give the second book in the series a shot. I hear that once Wingrove gets all his ducks in the row, the novels do pick up and roll.
Marks:
1980s,
China,
class,
David Wingrove,
overpopulation,
race,
space travel,
torture,
tribalism
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